Loudspeeka (Tomás Ford's Longspeeka)

from by Tomás Ford

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about

After its' release, Loudspeeka from Nobody Wants To Be You became a bit of a crowd favourite, so I remixed it to change it up quite a bit. Then when I came back to the recording, it didn't feel quite as party-tastic, it wasn't long enough and I was unhappy with the vocal, so I decided to lay it down again. I think this is probably the definitive version.

lyrics

LOUDSPEEKA sends an ear bomb as a covert saw synth stab
happy sunny sound suckers steal any beat/bass candy they can grab
if they're gonna blow their ears at least the caning will come from this DJ
back at home they find their drone-laced lollies mean they can't hear each other say
"Awwww, we wanted that last tune to crystalise a never ending hoedown..."

LOUDSPEEKA sends an ear bomb as a covert saw synth stab
happy sunny sound suckers steal any beat/bass candy they can grab
if they're gonna blow their ears at least the caning will come from this DJ
"...instead our ears bleed tension in a one note whine drone breakdown..."

Booty shake that booty shake that booty booty booty cutie cutie (x3)
can you handle it can you handle it now?

BASS thru ya TWEETA
GULP by tha LITRE
there ain't no sound SWEETA
than from this loudSPEEKA
at the end of the night you leave tha DANCEFLOOR
you've caned yo'self but ya still want MORE
sudden realization as you get to tha DOOR
that yo' earz iz buzzin' coz da lobez iz SORE
PERMANENT DAMAGE
this you know iz tru
YOU CAN'T HEAR SHIT
when I talk 2 u
I tried to tell u but i can't get thru
won't be able ta sleep when u go 2 bed
all da WHEEEE WHEEEE WHEEEE fukkin' wid' yo head
addin' to da feelin' that you wish you woz dead
SHOULDA GONE 2 DA MOVIEZ INSTEAD!!!

Bleeding the tension
Bleeding the tension
Bleeding the tension
Bleeding the tension
Bleeding the tension
Bleeding the tension"

Booty shake that booty shake that booty booty booty cutie cutie (x3)
can you handle it can you handle it now?

credits

from Tomás Ford's Idea Of Fun, released September 13, 2007
Original track recorded and mixed by Tomás Ford and Josh McAulliffe, 2006. Remix, recording, additional production and mastering by Tomás Ford, 2007.

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